"During the months that followed, Vaughan and I spent many hours driving along the express highways on the northern perimeter of the airport. On the calm summer evenings these fast boulevards became a zone of nightmare collisions. Listening to the police broadcasts on Vaughan's radio, we moved from one accident to the next. Often we stopped under arc-lights that flared over the sites of major collisions, watching while firemen and police engineers worked with acetylene torches and lifting tackle to free unconscious wives trapped beside their dead husbands, or waited as a passing doctor fumbled with a dying man pinned below an inverted truck. Sometimes Vaughan was pulled back by the other spectators, and fought for his camera with the ambulance attendants. Above all, Vaughan waited for head-on collisions with the concrete pillars of the motorway overpasses, the melancholy conjunction formed by a crashed vehicle abandoned on the grass verge and the serene motion sculpture of the concrete."
-- J. G. Ballard, Crash
"I've met a lot of cops recently. They take pictures of everything, only it's almost impossible to get copies of them."
-- Andy Warhol
photos: Arnold Odermatt
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